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BW47
CROW AND CARRION - 1981
2 umbrellas 
75 x 120 x 120 cm 
Unique 
 
image unavailable
 
Exhibited
BILL WOODROW: SCULPTURE, Lisson Gallery, London, 1982
BILL WOODROW: SCULPTURE, St. Paul's Gallery, Leeds, 1982
BILL WOODROW: SCULPTURE, Galerie t'Venster, Rotterdam, Netherlands, 1982
BILL WOODROW: SCULPTURE, Museum of Modern Art, Oxford, 1983
HOME AND ABROAD, Serpentine Gallery, London, 1984
MODERN ART? IT'S A JOKE!, Cleveland Gallery, Middlesbrough, 1986
CONVERSATIONS, Darlington Arts Centre then touring, , 1987
RECENT BRITISH SCULPTURE, Derby Museum and Art Gallery, then touring UK, 1993
FIELD DAY, SCULPTURE FROM BRITAIN, Taipei Fine Arts Museum, Taipei, Taiwan, 2001
BLAST TO FREEZE: BRITISH ART IN THE 20th CENTURY, Kunstmuseum Wolfsburg, Wolfsburg, Germany, 2002
BLAST TO FREEZE: BRITISH ART IN THE 20th CENTURY, Les Abbatoirs, Toulouse, France, 2003
OFF THE BEATEN TRACK, Longside Gallery, Yorkshire Sculpture Park, Wakefield, 2004
MAPPING THE TERRAIN, Mid Pennine Gallery, Burnley, 2007
EXTRAORDINARY DAYS, Oriel Davies Gallery, Newtown, Powys, 2009
SCULPTURAL FORMS, Manchester Art Gallery, Manchester, 2014
MAKING IT: SCULPTURE IN BRITAIN 1977-1986, Edinburgh Arts Centre, Edinburgh, 2016
CHANGING FORMS, Vivacity, City Gallery, Peterborough, Cambridgeshire, 2018
THE EVERYDAY AND EXTRAORDINARY, Birmingham Museum and Art Gallery, Birmingham, 2018
THE EVERYDAY AND EXTRAORDINARY, Towner Art Gallery, Eastbourne, 2018

Illustrated

Mark Francis. Where motley is worn, The Art Magazine vol.10 no.4, London, , Winter 1981
FUROR  no.6, 30 May 1982
Bill Woodrow, DOMUS 626, Milan, Italy, March 1982
Michael Newman. BILL WOODROW (cat.), Galerie ‘t Venster/Rotterdamse Kunststichting, Rotterdam, Netherlands, 1982
David Elliott. BEAVER, BOMB AND FOSSIL (cat.), Museum of Modern Art, Oxford, , 1983
Brian Hatton. Junk culture: the uses of affluence, ZG , London, , June 1983
Paul Hefting. BEELDEN 1983 , Rotterdamse Kunststichting, Rotterdam, Netherlands, 1983
Rita Pokorny. Bill Woodrow, a talk, NEUE KUNST IN EUROPA no.4/1, Munich, Germany, June 1984
Lynne Cooke. The elevation of the host, BILL WOODROW SCULPTURE 1980-86 (cat.), Fruitmarket Gallery, Edinburgh, Scotland, September 1986
CONVERSATIONS (cat.), Arts Council of Great Britain, London, , 1987
Catherine Grenier. Fables et vérités, ARTSTUDIO 10, Paris, France, Autumn 1988
Greg Hilty. Seeing and breathing, RECENT BRITISH SCULPTURE (cat.), The South Bank Centre, London, , 1993
FIELD DAY, SCULPTURE FROM BRITAIN (cat.), Taipei Fine Arts Museum/British Council, Taipei, Taiwan, 2001
BLAST TO FREEZE: BRITISH ART IN THE AGE OF EXTREMES (cat.), Hatje Cantz Publishers, 2002
Julia Kelly & Jonathan Wood. THE SCULPTURE OF BILL WOODROW (monograph), Lund Humphries Ltd, London, , 2013
Paul Hobson. The Director’s Archive: Bill Woodrow, 1983, MODERNARTOXFORD.ORG.UK , June 14 2016
ARTIST WORK LISSON , Lisson Gallery, London/New York, , 2017
Sarah Kent. The Everyday and the Extraordinary, theartsdesk.com , October 11 2018
 
 
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