 |
|
|
||||
| 69707172757778798081828384858687888990919293949596979899000102030405060708091011121314151617181920212223 | ||||||
|
BW46 CAMERA AND LIZARD - 1981 Camera 19 x 27 x 13 cm Unique |
||||||
 |
 |
 |
||||
|
Exhibited BILL WOODROW: SCULPTURE, Lisson Gallery, London, 1982 BILL WOODROW: SCULPTURE, Galerie Eric Fabre, Paris, France, 1982 UN SIECLE DE SCULPTURE ANGLAISE, Jeu de Paume, Paris, France, 1996 BARELY MADE, Norwich Gallery, Norwich, 1997 FIELD DAY, SCULPTURE FROM BRITAIN, Taipei Fine Arts Museum, Taipei, Taiwan, 2001 TURNING POINTS: 20TH CENTURY BRITISH SCULPTURE, Museum of Contemporary Art, Tehran, Iran, 2004 BILL WOODROW RA, Royal Academy of Arts Burlington Gardens, London, 2013 Illustrated FUROR no.6, 30 May 1982 Michael Newman. Bill Woodrow, ART MONTHLY no.53, London, , February 1982 Roberto Vidali. Artists around Big Ben, JULIET 10, Trieste, Italy, February/March 1983 Rolino Gaspari. Une nouvelle sculpture anglaise, Axe Sud 7, Toulouse, France, Winter 1983 Mark Francis. Bill Woodrow: material truths, ARTFORUM vol.XXII no.5, New York, USA, January 1984 Lynne Cooke. The elevation of the host, BILL WOODROW SCULPTURE 1980-86 (cat.), Fruitmarket Gallery, Edinburgh, Scotland, September 1986 Peter Hill. Edited interview, ART MONTHLY , London, , December 1986 FOOLS’ GOLD (cat.), Tate Gallery, London, , 1996 FOOLS’ GOLD (cat.), Institut Mathildenhöhe, Darmstadt, Germany, 1996 UN SIECLE DE SCULPTURE ANGLAISE (cat.), Galerie Nationale du Jeu de Paume, Paris, France, 1996 FIELD DAY, SCULPTURE FROM BRITAIN (cat.), Taipei Fine Arts Museum/British Council, Taipei, Taiwan, 2001 TURNING POINTS: 20TH CENTURY BRITISH SCULPTURE (cat.), Museum of Contemporary Art, Tehran, Iran, 2004 Julia Kelly & Jonathan Wood. THE SCULPTURE OF BILL WOODROW (monograph), Lund Humphries Ltd, London, , 2013 Ben Luke. Material man: Bill Woodrow on his new sculpture show at the Royal Academy, EVENING STANDARD , London, , October 30 2013 Richard Cork. B is for Bill, https://www.royalacademy.org.uk/article/b-is-for-bill , Royal Academy, London, , 2013 |
||||||
|
|
||||||
