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BW520
REGARDLESS OF HISTORY - 2000
Bronze 
5.6 x 5.4 x 2.45 m approx 
Unique 
 
image unavailable
 
Exhibited
REGARDLESS OF HISTORY, Fourth Plinth, Trafalgar Square, London, 2000

Illustrated

The white knight, the fourth plinth and beyond, TALKING SCULPTURE , Sculpture at Goodwood, West Sussex, , 2000
Ann Treneman. Art, farce, politics and pigeons, THE TIMES , London, , 11 February 2000
Jonathan Jones. Bill Woodrow, THE GUARDIAN , London, , 15 February 2000
Lesley Garner. Booking a place in History, THE EVENING STANDARD , London, , 22 February 2000
New work takes root on Trafalgar’s vacant plinth, THE SUNDAY TELEGRAPH , London, , 27 February 2000
Martin Gayford. A place among heroes, THE SUNDAY TELEGRAPH , London, , 27 February 2000
Historical roots, THE SUNDAY TIMES , London, , 27 February 2000
Laura Cumming. The end of civilisation - or the start of something better?, THE OBSERVER , London, , 5 March 2000
Robin Stringer. Towering free takes root on Trafalgar plinth, THE EVENING STANDARD , London, , 15 March 2000
Nigel Reynolds. A new branch for Nelson to study, THE DAILY TELEGRAPH , London, , 16 March 2000
Maev Kennedy. Bound in bronze, THE GUARDIAN , London, , 16 March 2000
Adrian Searle. Come, friendly pigeons, THE GUARDIAN , London, , 16 March 2000
Dalya Alberge. Weighty sculpture takes root in square, THE TIMES , London, , 16 March 2000
Richard Cork. Nelson prepares to gaze over a new bough, THE TIMES , London, , 15 March 2000
Waldemar Januszczak. Trafalgar Square is getting to the root of civic sculpture, THE SUNDAY TIMES , London, , 18 March 2000
William Packer. Monumental responsibility to the public, THE FINANCIAL TIMES , London, , 18/19 March 2000
Hester Lacey. Statues for an age without heroes, THE INDEPENDENT ON SUNDAY , London, , 19 March 2000
Simon Jenkins. Let anarchy rule - but not here, THE EVENING STANDARD , London, , March 23 2000
Maev Kennedy. Modern art wins battle of Trafalgar Square, THE GUARDIAN , London, , May 13 2000
TERENCE CONRAN ON LONDON , Conran Octopus Ltd, London, , 2000
BRONZE: CONTEMPORARY BRITISH SCULPTURE HOLLAND PARK , Royal Borough of Kensington and Chelsea Libraries and Arts Service, London, , 2000
Fiachra Gibbons. Trafalgar Square must wait for Whiteread’s upturned plinth, THE GUARDIAN , London, , 20 March 2001
Eleanor Surtey. Pedestal for popular art (letter), THE EVENING STANDARD , London, , 31 May 2001
Eleanor Surtey. At the top of the tree (letter), THE EVENING STANDARD , London, , 22 March 2001
SCULPTURE AT GOODWOOD: A VISION FOR TWENTY-FIRST CENTURY BRITISH SCULPTURE , Sculpture at Goodwood, West Sussex, , 2002
Gary Yonge. Much ado about nothing, ART PAPERS , Atlanta, USA, January/February 2003
Richard Cork. ANNUS MIRABILIS?: ART IN THE YEAR 2000 , Yale University Press, New Haven and London, , 2003
Steve Rose. Can’t see the wood for the trees, THE GUARDIAN G2 , London, , 15 May 2006
John K Grande. Shaking up History and Nature, SCULPTURE vol.26 no. 4, International Sculpture Center, Washington, DC, USA, May 2007
BILL WOODROW - BROOD (cat.), Hampshire County Council, Winchester, , 2007
BREAKING THE MOULD , Cass Sculpture Foundation, Goodwood, Chichester, , 2010
CASS SCULPTURE FOUNDATION , Hantje Cantz Verlag, Ostfildern, Germany, 2012
Julia Kelly & Jonathan Wood. THE SCULPTURE OF BILL WOODROW (monograph), Lund Humphries Ltd, London, , 2013
HERE COMES MR. CASS , Wilfred Cass, 2013
Nina Heindl. Temporär bespielt. Die plastischen Werke auf der Fourth Plinth zwischen Intervention und Denkmalsetzung, WWW.KUNSTTEXTE.DE , Berlin, Germany, 2015
Isabel de Vasconcellos. FOURTH PLINTH , Art Books Publishing Ltd, London, , 2017
Ina Cole. FROM THE SCULPTOR’S STUDIO , Laurence King Publishing, London, , 2021
Matthew Weaver. What happened to Trafalgar Square’s fourth plinth statues?, The Guardian , London, , Jan 19 2023
 
 
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