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BW254 ENGLISH HERITAGE [HUMPTY FUCKING DUMPTY] - 1987 Vaulting box, metal locker, metal filing cabinet, copper water cylinder, wooden box, paint 250 x 340 x 110 cm Unique |
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Exhibited BILL WOODROW: SCULPTURE, Lisson Gallery, London, 1987 BILL WOODROW: SCULPTURE, Cornerhouse, Manchester, 1987 MONOGRAPHIC ROOM, Tate Modern, London, 2000 A BIGGER SPLASH: ARTE BRITTANICA DA TATE, Pavilhão Lucas Nogueira Garcez-Oca/Instito Tomie Ohtake, São Paulo, Brazil, 2003 SCULPTURE AFTER 1960, Tate Britain, London, 2010 ALICE IN WONDERLAND, Tate Liverpool, Liverpool, 2011 ALICE IN WONDERLAND, MART, Rovereto, Italy, 2012 ALICE IM WUNDERLAND DER KUNST, Hamburger Kunsthalle, Hamburg, Germany, 2012 Illustrated Richard Cork. Cragg, Woodrow and Deacon: three individuals, ART AND DESIGN vol.3 no.11/12, London, , November 1987 Richard Cork. NEW SPIRIT, NEW SCULPTURE, NEW MONEY: ART IN THE 1980’S , Yale University Press, New Haven and London, , 2003 SCULPTURE IN 20TH-CENTURY BRITAIN , Henry Moore Institute, Leeds, , 2003 A BIGGER SPLASH: ARTE BRITTANICA DA TATE (cat.), BrasilConnects, 2003 Adrian Searle. Mad about the girl, THE GUARDIAN , London, , November 3, 2011 Julia Kelly & Jonathan Wood. THE SCULPTURE OF BILL WOODROW (monograph), Lund Humphries Ltd, London, , 2013 Penelope Curtis. SCULPTURE: VERTICAL, HORIZONTAL, CLOSED, OPEN , Yale University Press, New Haven, USA, 2017 |
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