| | | PUNK. NO ONE IS INNOCENT |
| 2008 | Kunsthalle Wien, Vienna, Austria |
| | | PROSPECTS AND INTERIORS |
| 2008 | Leeds Art Gallery, Leeds |
| | | ALICE, SON MIROIR ET SES MERVEILLES |
| 2008 | Musée des Beaux-Arts et de la Dentelle, Calais, France |
| | | PANIC ATTACK! ART IN THE PUNK YEARS |
| 2007 | Barbican Art Gallery, London |
| | | HOW TO IMPROVE THE WORLD: 60 YEARS OF BRITISH ART |
| 2007 | Gas Hall, Birmingham |
| | | ST MARTIN’S SCULPTURE DEPARTMENT 1966-71 |
| 2007 | Tate Britain, London |
| | | SUMMER EXHIBITION 2007 |
| 2007 | Royal Academy of Arts, London |
| | | SCULPTURE IN THE CLOSE |
| 2007 | Jesus College, Cambridge |
| | | RUMMAGE - SCULPTORS’ DRAWINGS |
| 2007 | Winchester Gallery, Winchester |
| | | MAPPING THE TERRAIN |
| 2007 | Mid Pennine Gallery, Burnley |
| | | DRAWING FROM TURNER |
| 2007 | Tate Britain, London |
| | | VENICE: CITY OF DREAMS? |
| 2007 | Sotheby’s, Conduit Street Gallery, London |
| | | IN FOCUS: LIVING HISTORY |
| 2006 | Tate Modern, London |
| | | PAIRS: 16 ARTISTS / 32 DRAWINGS |
| 2006 | The Drawing Gallery, London |
| | | ELDORADO |
| 2006 | MUDAM, Luxembourg, Luxembourg |
| | | HOW TO IMPROVE THE WORLD: 60 YEARS OF BRITISH ART |
| 2006 | Hayward Gallery, London |
| | | BOGADH |
| 2006 | Presentation Convent Gallery, Carlow, Ireland |
| | | RAISED AWARENESS |
| 2006 | Watermans, Brentford, London |
| | | DOMESTIC INCIDENTS |
| 2006 | Tate Modern, London |
| | | SUMMER EXHIBITION 2006 |
| 2006 | Royal Academy of Arts, London |
| | | DRAWING INSPIRATION |
| 2006 | Abbott Hall Art Gallery, Kendal |
| | | 60, SIXTY YEARS OF SCULPTURE IN THE ARTS COUNCIL COLLECTION |
| 2006 | Longside Gallery, Yorkshire Sculpture Park, Wakefield |
| | | FIRST INTERNATIONAL ARTS PESTIVAL |
| 2006 | WWT London Wetland Centre, London |
| | | 40 ARTISTS - 40 DRAWINGS |
| 2006 | City Inn Westminster, London |
| | | RAISED AWARENESS |
| 2006 | artsdepot, North Finchley, London |
| | | DRAWINGS AND WORKS ON PAPER FROM THE IMMA COLLECTION |
| 2005 | IMMA, Dublin, Ireland |
| | | 40 ARTISTS - 40 DRAWINGS |
| 2005 | The Drawing Gallery, London |
| | | REVELATION: REFLECTING BRITISH ART IN THE ARTS COUNCIL COLLECTION |
| 2005 | Laing Art Gallery, Newcastle upon Tyne |
| | | RAISED AWARENESS |
| 2005 | Tate Modern, London |
| | | EFFERVESCENCE |
| 2005 | Musée des Beaux-Arts, Angers, France |
| | | EL ESTADO DE LAS COSAS. EL OBJETO EN EL ARTE DESDE 1960 A NUESTROS DIAS |
| 2005 | ARTIUM, Vitoria-Gasteiz, Spain |
| | | SUMMER EXHIBITION 2005 |
| 2005 | Royal Academy of Arts, London |
| | | IN PRINT: PRINTS FROM THE PARAGON PRESS |
| 2005 | National Gallery, Kuala Lumpur, Malaysia |
| | | ARTY DUSTCARTS |
| 2005 | Southwark Council, London |
| | | IN PRINT |
| 2005 | Museum of Fine Art, Taipei, Taiwan |
| | 2005 | USM ABN AMRO Art and Culture Centre, Penang, Malaysia |
| | | SKULPTUR: PREKAERER REALISMUS ZWISCHEN MELANCHOLIE UND KOMIK |
| 2004 | Kunsthalle Wien, Vienna, Austria |
| | | TOM BENDHEM: COLLECTOR |
| 2004 | Ben Uri Gallery, London |
| | | 25 ARTISTS - 25 DRAWINGS |
| 2004 | The Drawing Gallery, London |
| | | WITH HIDDEN NOISE |
| 2004 | Henry Moore Institute, Leeds |
| | | OUT OF PLACE |
| 2004 | Galerie Nordenhake, Berlin, Germany |
| | | LOCAL MATTERS |
| 2004 | Camberwell College of Arts, London |
| | | OFF THE BEATEN TRACK |
| 2004 | Longside Gallery, Yorkshire Sculpture Park, Wakefield |
| | | DOMESTIC [F]UTILITY |
| 2004 | New Art Centre Sculpture Park and Gallery, Roche Court, Salisbury, Wiltshire |
| | | TURNING POINTS: 20TH CENTURY BRITISH SCULPTURE |
| 2004 | Museum of Contemporary Art, Tehran, Iran |
| | | SUMMER EXHIBITION 2004 |
| 2004 | Royal Academy of Arts, London |
| | | EL ESTADO DE LAS COSAS. EL OBJETO EN EL ARTE DESDE 1960 A NUESTROS DIAS |
| 2004 | Museo de Arte Contemporanea, Vigo, Spain |
| | | IN PRINT |
| 2004 | Tyler Print Institute, Singapure, Singapure |
| | | OTHER CRITERIA |
| 2003 | Henry Moore Institute, Leeds |
| | | YESTERDAY BEGINS TOMORROW |
| 2003 | Deste Foundation Centre for Contemporary Art, Athens, Greece |
| | | PETER BLAKE SCULPTURE |
| 2003 | London Institute Gallery, London |
| | | SCULPTURES ET DESSINS |
| 2003 | Arsenal, Abbaye Saint-Jean-des-Vignes, Soissons, France |
| | | SCULPTURE: A SPECTATOR SPORT? |
| 2003 | Bryanston Park, Dorset |
| | | SELECTIONS FROM THE CHELLGREN GIFT |
| 2003 | The Speed Art Museum, Louisville, Kentucky, USA |
| | | RA SUMMER EXHIBITION 2003 |
| 2003 | Royal Academy of Arts, London |
| | | BRIGHT LIGHTS, BIG CITY |
| 2003 | David Zwirner Gallery, New York, USA |
| | | INDEPENDENCE |
| 2003 | South London Gallery, London |
| | | GLAD THAT THINGS DON’T TALK |
| 2003 | Irish Museum of Modern Art, Dublin, Ireland |
| | | BLAST TO FREEZE: BRITISH ART IN THE 20th CENTURY |
| 2003 | Les Abbatoirs, Toulouse, France |
| | | LE CABINET DE JEAN-MICHEL ALBEROLA - LE FAIT ACCOMPLI |
| 2003 | FRAC Picardie, Amiens, France |
| | | HANDMADE READYMADE |
| 2003 | Mackenzie Art Gallery, Regina, Canada |
| | | IN PRINT |
| 2003 | International Graphic Arts Centre, Ljubljana, Slovenia |
| | 2003 | Hakodate Museum, Hakodate, Japan |
| | 2003 | Marugame Museum of Contemporary Art, Marugame, Japan |
| | | L’ÉTAT DES CHOSES. L’OBJET DANS L’ART DE 1960 À AUJOURD’HUI |
| 2003 | Musee des Beaux Arts, Nantes, France |
| | | A BIGGER SPLASH: ARTE BRITTANICA DA TATE |
| 2003 | Pavilhão Lucas Nogueira Garcez-Oca/Instito Tomie Ohtake, São Paulo, Brazil |
| | | FROM LITTLE ACORNS..., EARLY WORKS BY ACADEMICIANS |
| 2002 | Friend’s Room, Royal Academy of Arts, London |
| | | BLAST TO FREEZE: BRITISH ART IN THE 20th CENTURY |
| 2002 | Kunstmuseum Wolfsburg, Wolfsburg, Germany |
| | | ABOUT FACE |
| 2002 | Croydon Clocktower, Croydon |
| | | LE REGARD DE L’AUTRE |
| 2002 | Musée des Beaux-Arts, Rouen, France |
| | | SUMMER EXHIBITION 2002 |
| 2002 | Royal Academy of Arts, London |
| | | IN PRINT |
| 2002 | The Art Pavilion, Belgrade, Serbia |
| | 2002 | Museum of Fine Arts, Yaroslav, Russia |
| | 2002 | Urals Museum of Youth, Yekaterinburg, Russia |
| | 2002 | Centre of Graphics and Printmaking, St. Petersburg, Russia |
| | 2002 | Fine Art Gallery, Novosibirsk, Russia |
| | 2002 | Museum of Art, Tel Aviv, Israel |
| | | CAMPUS EURO(PE) ART |
| 2002 | L’Université Paris X, Nanterre, then touring France |
| | | THE DARKENED WORLD |
| 2002 | The Britten-Pears Library, Aldeburgh, Suffolk |
| | | THE SCULPTURE PARK AT THE FREDERIK MEIJER GARDENS |
| 2002 | Grand Rapids, Michigan, USA |
| | | THINKING BIG: 21ST CENTURY BRITISH SCULPTURE |
| 2002 | Peggy Guggenheim Collection, Venice, Italy |
| | | CLOSE ENCOUNTERS OF THE ART KIND |
| 2001 | V&A Museum, London |
| | | BREAKING THE MOULD |
| 2001 | Norwich Castle Museum and Art Gallery, Norwich |
| | | FIELD DAY, SCULPTURE FROM BRITAIN |
| 2001 | Taipei Fine Arts Museum, Taipei, Taiwan |
| | | LE CIRVA A 15 ANS |
| 2001 | Hôtel de Castillon, Aix-en-Provence, France |
| | | PAPER ASSETS: COLLECTING PRINTS AND DRAWINGS 1996-2001 |
| 2001 | British Museum, London |
| | | NATURAL HISTORY |
| 2001 | Yongsan Family Park, Seoul, Korea (permanent) |
| | | BRONZE |
| 2000 | Holland Park, London |
| | | CULTURAL TIES |
| 2000 | Jariwala/westzone Gallery, London |
| | | SEVEN PRINT PROJECTS FROM THE PARAGON PRESS |
| 2000 | Gimpel Fils, London |
| | | DE LÉONARD DE VINCI À CALDER, MACHINS MACHINES |
| 2000 | Donjon de Vez, Vez, France |
| | | A LABOUR OF LOVE |
| 2000 | Derby Museum and Art Gallery, Derby |
| | | DAS FüNFTE ELEMENT-GELD ODER KUNST |
| 2000 | Kunsthalle, Düsseldorf, Germany |
| | | A LABOUR OF LOVE |
| 2000 | Barbican Centre, London |
| | | GLOBAL ART RHEINLAND 2000 |
| 2000 | Kunsthalle, Düsseldorf, Germany |
| | | 3 RÄUME - 3 FLÜSSE: IHR WART INS WASSER EINGESCREIBEN |
| 2000 | Packhof, Hann. Münden, Germany |
| | | XXVII FIDEM 2000 INTERNATIONALE MEDAILLENKUNST |
| 2000 | Berlin/Weimar, Germany |
| | | A LABOUR OF LOVE |
| 1999 | Stadtische Kunsthalle, Mannheim, Germany |
| | 1999 | Kunstverein Hürth, Cologne, Germany |
| | 1999 | Noorbrandts Museum, Hertogenbosch, Netherlands |
| | | FORJAR EL ESPACIO |
| 1999 | Ivam Centre Julio Gonzalez, Valencia, Spain |
| | 1999 | Musée des Beaux-Arts et de la Dentelle, Calais, France |
| | | THINKING ALOUD |
| 1999 | Cornerhouse Gallery, Manchester |
| | 1999 | Camden Arts Centre, London |
| | | SEPARATE MESSAGES |
| 1999 | Centenary Gallery, Camberwell College of Arts, London |
| | | BANKSIDE BROWSER |
| 1999 | St Christopher’s House, London |
| | | LE MUSEE À L’HEURE ANGLAISE |
| 1999 | Musée des Beaux-Arts, Valenciennes, France |
| | | SPORE: ARTI CONTEMPORANEE NEL TRANSITO EPOCALE |
| 1999 | Cassino, Italy |
| | | ANIMAL |
| 1999 | Musée Bourdelle, Paris, France |
| | | THE EQUINOX |
| 1999 | Cairn Gallery, Nailsworth |
| | | SIZE IMMATERIAL |
| 1999 | British Museum, London |
| | | 25 YEARS OF ARTS WEEK |
| 1998 | Butler Gallery, Kilkenny, Ireland |
| | | THE JANET WOLFSON DE BOTTON GIFT |
| 1998 | Tate Gallery, London |
| | | 2 SIDES |
| 1998 | American Medallic Sculpture Association, Newburgh, NY, USA |
| | 1998 | Museum of the American Numismatic Association, Colorado Springs, CO, USA |
| | | RENÉ MAGRITTE EN DE HEDENDAAGSE KUNST |
| 1998 | Museum voor Moderne Kunst, Oostende, Belgium
|
| | | MODERN BRITISH ART |
| 1998 | Tate Gallery, Liverpool |
| | | SCULPTURE FOR WINCHESTER |
| 1998 | Inner Close, Winchester Cathedral, Winchester |
| | | A SPACE BETWEEN |
| 1998 | Margarete Roeder Gallery, New York, NY, USA |
| | | LONDON CALLING |
| 1998 | Galleria Nazionale d’Arte Moderna, Rome, Italy |
| | | ARTISTS OF THE GALLERY |
| 1998 | Galerie Sabine Wachters, Knokke, Belgium |
| | | FIFTY YEARS OF BRITISH SCULPTURE |
| 1998 | Lothbury Gallery, London |
| | | A LABOUR OF LOVE |
| 1998 | Pallant House Gallery, Chichester |
| | | FORJAR EL ESPACIO |
| 1998 | Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, Spain |
| | | HOPE [SUFFERANCE] PRESS |
| 1998 | Sun and Doves, London |
| | | THINKING ALOUD |
| 1998 | Kettle’s Yard, Cambridge |
| | | BARELY MADE |
| 1997 | Norwich Gallery, Norwich |
| | | MARKING PRESENCE |
| 1997 | ArtSway, Sway, Hampshire |
| | | A ILHO DO TESOURO |
| 1997 | Centro de Arte Moderna Jose de Azeredo Perdigao, Lisbon, Portugal |
| | | SELECTED WORKS FROM THE COLLECTION |
| 1997 | Irish Museum of Modern Art, Dublin, Ireland |
| | | WORKS FROM THE COLLECTION |
| 1997 | Museum of Contemporary Art, San Diego, CA,, USA |
| | | MATERIAL CULTURE: THE OBJECT IN BRITISH ART OF THE 1980’S AND 1990’S |
| 1997 | Hayward Gallery, London |
| | | SEXTA BIENAL DE LA HABANA |
| 1997 | Havana, Cuba |
| | | COMMUNITY CHOICE |
| 1997 | Southampton City Art Gallery, Southampton |
| | | SHEFFIELD TOWN TRUST SCULPTURE COMPETITION |
| 1997 | Graves Art Gallery, Sheffield |
| | | TAKE IT FROM HERE |
| 1996 | Museum and Art Gallery/City Arts Centre and Library/Reg Vardy Gallery, Sunderland |
| | | TATE ON THE TYNE |
| 1996 | Laing Art Gallery, Newcastle upon Tyne |
| | | PRINTS |
| 1996 | Alan Cristea Gallery, London |
| | | UN SIECLE DE SCULPTURE ANGLAISE |
| 1996 | Jeu de Paume, Paris, France |
| | | NATUR? |
| 1996 | Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany |
| | | CONTEMPORARY ART FROM THE MUSEUM'S COLLECTION |
| 1996 | Imperial War Museum, London |
| | | WELTKUNST COLLECTION: WORKS ON PAPER |
| 1996 | Ormeau Baths Gallery, Belfast |
| | | PORTRAITS D'OBJETS |
| 1996 | Espace Saint-Jacques, Saint-Quentin, Picardie, France |
| | | FROM FIGURE TO OBJECT |
| 1996 | Frith Street Gallery/Karsten Schubert Gallery, London |
| | | INTER-KONTAKT-GRAFIK PRAGUE'95 |
| 1995 | Prague, Czech Republic |
| | | SCHYLS DONATION |
| 1995 | Malmö Konsthall, Malmö, Sweden |
| | | CONTEMPORARY BRITISH ART IN PRINT |
| 1995 | Scottish National Gallery of Modern Art, Edinburgh |
| | 1995 | Yale Center for British Art, New Haven, CT, USA |
| | | FROM PICASSO TO WOODROW: RECENTLY ACQUIRED PRINTS AND PORTFOLIOS |
| 1995 | Tate Gallery, London |
| | | PORTABLE FABRIC SHELTERS |
| 1995 | London Printworks Trust, London |
| | 1995 | The Bradford Gallery, Bradford |
| | | BUNKER/MULE FOR FREDSSKULPTUR 1995 |
| 1995 | Blavand, Jutland, Denmark (permanent) |
| | | CONTEMPORARY ART SOCIETY COLLECTION |
| 1995 | Butler Gallery, Kilkenny, Ireland |
| | | WELTKUNST COLLECTION |
| 1995 | Irish Museum of Modern Art, Dublin, Ireland |
| | | DE HENRY MOORE OS ANOS 90 |
| 1995 | Auditorio de Galicia, Santiago de Compostela, Spain |
| | 1995 | Serralves Foundation, Oporto, Portugal |
| | | CARAVANSERAY OF CONTEMPORARY ART |
| 1995 | Fuoriuso '95, Pescara, Italy |
| | | INTERNATIONAL BIENNAL OF GRAPHIC ART |
| 1995 | Ljubljana, Slovenia |
| | | RIPPLE ACROSS THE WATER |
| 1995 | Watari-Um, The Watari Museum of Contemporary Art, Tokyo, Japan |
| | | ACCROCHAGE PEDAGOGIQUE |
| 1995 | FRAC Bourgogne, Dijon, France |
| | | SOYONS SERIEUX... |
| 1995 | Musée d'art moderne, Villeneuve d'Ascq, France |
| | | PRINTS AND DRAWINGS: RECENT AQUISITIONS 1991-95 |
| 1995 | British Museum, London |
| | | ARTE AMAZONAS |
| 1994 | Ludwig Forum für Internationale Kunst, Aachen, Germany |
| | | THE FIFTH INTERNATIONAL SHOEBOX SCULPTURE EXHIBITION |
| 1994 | The University of Hawaii Art Gallery, Honolulu, then touring USA and Taiwan to 1996 |
| | | DESSINS ET SCULPTURES |
| 1994 | FRAC de Picardie, Amiens, France |
| | | SPEAKERS CORNER |
| 1994 | The Art Bus, touring Fife, Scotland |
| | | BACK TO BASICS: A MAJOR RETROSPECTIVE |
| 1994 | Flowers East, London |
| | | INTERNATIONAL PRINT TRIENNIAL '94 |
| 1994 | Krakow, Poland |
| | | SCULPTURE AT GOODWOOD |
| 1994 | The Hat Hill Sculpture Foundation, Goodwood, West Sussex |
| | | CONTEMPORARY ART TSURUGI '94 |
| 1994 | Tsurugi, Japan |
| | | A CHANGING WORLD: 50 YEARS OF SCULPTURE FROM THE BRITISH COUNCIL COLLECTION |
| 1994 | State Russian Museum, St. Petersburg, Russia |
| | | TERRAE MOTUS TERRAE MOTUS |
| 1994 | Palazzo Reale, Caserta, Italy |
| | | SELECTIONS FROM THE LEWITT COLLECTION |
| 1994 | Atrium Gallery, University of Connecticut, Storrs, CT, USA |
| | | ARTE AMAZONAS |
| 1993 | Staatliche Kunsthalle, Berlin, Germany |
| | 1993 | Technische Sammlungen, Dresden, Germany |
| | | INNOCENCE AND EXPERIENCE |
| 1993 | Castle Museum, Nottingham |
| | 1993 | Kelvingrove Art Gallery and Museum, Glasgow |
| | | DECLARATIONS OF WAR, CONTEMPORARY ART FROM THE IMPERIAL WAR MUSEUM |
| 1993 | Kettle's Yard, Cambridge |
| | | AUTOPORTRAITS CONTEMPORAIN/HERE'S LOOKING AT ME |
| 1993 | Espace Lyonnais d'Art Contemporain, Lyon, France |
| | | IMAGES FROM THE COALFIELDS |
| 1993 | Angela Flowers Gallery, London |
| | | OUT OF SIGHT OUT OF MIND |
| 1993 | Lisson Gallery, London |
| | | SKULPTUR HEUTE |
| 1993 | Galerie Heinz Holtmann, Cologne, Germany |
| | | RECENT BRITISH SCULPTURE |
| 1993 | Derby Museum and Art Gallery, then touring UK |
| | | SCULPTURES CONTEMPORAINES ACQUISITIONS RECENTES |
| 1993 | Musée des Beaux-Arts, Calais, France |
| | | NO MORE HEROES ANYMORE: CONTEMPORARY ART FROM THE IMPERIAL WAR MUSEUM |
| 1993 | Royal Scottish Academy, Edinburgh |
| | | SECOND SIGHT |
| 1993 | Northern Centre for Contemporary Art, Sunderland |
| | 1993 | Newlyn Orion Gallery, Penzance |
| | 1993 | Orchard Gallery, Derry |
| | | THE NEW PATRONS |
| 1992 | Christies, London |
| | | ARTISTES POUR AMNESTY INTERNATIONAL |
| 1992 | Hotel des Arts, Paris, France |
| | | KUNSTWERKEN VERWORVEN DOOR DE VLAAMSE GEMEENSCHAP IN 1990-1991 |
| 1992 | Museum van Deinze en de Leiestreek, Deinze, Belgium |
| | | BBC BILLBOARD ART PROJECT |
| 1992 | [inconjunction with Mills and Allen], London |
| | | ARTE AMAZONAS |
| 1992 | Museu de Arte Moderna, Rio de Janiero, Brazil |
| | 1992 | Museu de Arte, Brasilia, Brazil |
| | | A MARKED DIFFERENCE |
| 1992 | Arti et Amicitiae, Amsterdam, Netherlands |
| | | LE PORTRAIT DANS L'ART CONTEMPORAIN |
| 1992 | Musée d'Art Moderne et d'Art Contemporain, Nice, France |
| | | 1992 WHITECHAPEL OPEN |
| 1992 | Whitechapel Art Gallery and other venues, London |
| | | ÔAS I SEE MYSELF’ ARTISTS IN THEIR WORK |
| 1992 | City Museum and Art Gallery, Plymouth |
| | | THE CUTTING EDGE |
| 1992 | Barbican Art Gallery, London |
| | | INNOCENCE AND EXPERIENCE |
| 1992 | City Art Gallery, Manchester |
| | 1992 | Ferens Art Gallery, Hull |
| | | DES DESSINS POUR LES ELEVES DU CENTRE DES DEUX THIELLES, LE LANDERON |
| 1992 | Centre scolaire et sportif des Deux Thielles, Les Landeron, Switzerland |
| | 1992 | Offentliche Kunstsammlung Basel, Museum fur Gegenwartskunst, Basel, Switzerland |
| | | NEW VOICES |
| 1992 | Centre de Conferences Albert Borschette, Brussels, Belgium |
| | | ARTISTS OF THE GALLERY |
| 1992 | Galerie Sabine Wachters, Brussels and Knokke, Belgium |
| | | TERRAE MOTUS |
| 1992 | Reggia di Caserta, Caserta, Italy |
| | | SCULTORI INGLESI: DISEGNI DI CRAGG, DEACON, HOUSHIARY, KAPOOR, WOODROW |
| 1992 | Galleria Federica Inghilleri, Milan, Italy |
| | | FOR A WIDER WORLD |
| 1991 | Musée National d'Art et d'Histoire, Luxembourg, Luxembourg |
| | 1991 | Sofia, Bulgaria |
| | 1991 | Museo de Bellas Artes, Buenos Aires, Argentina |
| | | METAMEMPHIS 1991 |
| 1991 | Galerie Tanit Köln, Cologne, Germany |
| | | DESSIN D'UNE COLLECTION, EXTRAIT 7 |
| 1991 | FRAC Picardie, Amiens, France |
| | | METROPOLIS |
| 1991 | Martin Gropius Bau, Berlin, Germany |
| | | KUNST EUROPA |
| 1991 | Kunstverein Konstanz, Konstanz, Germany |
| | | LA SCULPTURE CONTEMPORAINE APRES 1970 |
| 1991 | Fondation Daniel Templon, Musée Temporaire, Frejus, France |
| | | DAS GOLDENE ZEITALTER |
| 1991 | Württembergische Kunstverein, Stuttgart, Germany |
| | | OBJETS |
| 1990 | Musée Boucher de Perthes, Abbeville, France |
| | | GLASGOW'S GREAT BRITISH ART EXHIBITION |
| 1990 | McLellan Galleries, Glasgow |
| | | GREAT BRITAIN - USSR |
| 1990 | The House of the Artist, Kiev, USSR |
| | 1990 | The Central House of the Artist, Moscow, USSR |
| | | FOR A WIDER WORLD |
| 1990 | Ukranian Museum of Fine Art, Kiev, USSR |
| | | GRAPHIK LIVE |
| 1990 | Graphik-Sammlung, Der Eidg. Techn. Hochschule, Zürich, Switzerland |
| | | MOTE I NORD |
| 1989 | Kunsternes Hus, Oslo, Norway |
| | | IT'S A STILL LIFE |
| 1989 | City Museum and Art Gallery, Plymouth, then touring UK |
| | | MONDI POSSIBILI |
| 1989 | Le Case d'Arte, Milan, Italy |
| | | OEUVRES DU FONDS REGIONAL D'ART CONTEMPORAIN DE BOURGOGNE |
| 1989 | A.P.A.C.-Centre d'Art, Nevers Banlay, France |
| | | KUNST UND HEIZUNG |
| 1989 | Messe, Frankfurt, Germany |
| | | COLLECTION DU FRAC BOURGOGNE |
| 1989 | Musée des Beaux Arts, La Chaux de Fonds, Switzerland |
| | | THE TREE OF LIFE |
| 1989 | Cornerhouse, Manchester, then touring UK |
| | | THE THATCHER YEARS |
| 1989 | Flowers East, London |
| | | VOM KRIEGE |
| 1989 | Kunstverein, Graz, Austria |
| | | SPECCHI USTORI |
| 1989 | Museo di Palazzo Bellomo, Siracusa, Italy |
| | | BEYOND THE EVERYDAY OBJECT |
| 1989 | MUKHA, Antwerp, Belgium |
| | | GRAVEN IMAGES |
| 1988 | Harris Museum and Art Gallery, Preston |
| | | STARLIT WATERS |
| 1988 | Tate Gallery, Liverpool |
| | | VISAGES |
| 1988 | Musée St. George, Liege, Belgium |
| | | OBJECT AND IMAGE |
| 1988 | City Museum and Art Gallery, Stoke-on-Trent |
| | | A PERSONAL CHOICE |
| 1988 | Nigel Greenwood Gallery, London |
| | | MODERN BRITISH SCULPTURE FROM THE COLLECTION |
| 1988 | Tate Gallery, Liverpool |
| | | BRITISH NOW: SCULPTURE ET AUTRES DESSINS |
| 1988 | Musée d'Art Contemporain, Montreal, Canada |
| | | BRITANNICA |
| 1988 | Ecole d'Architecture de Normandie, Rouen, France |
| | 1988 | Museum van Hedendaagse Kunst, Antwerp, Belgium |
| | 1988 | Centre d'Art Contemporain Midi-Pyrenees, Toulouse, France |
| | | PORKKANA - KOKOELMA |
| 1988 | Vanhan Galleria, Helsinki, Finland |
| | | THAT WHICH APPEARS IS GOOD; THAT WHICH IS GOOD APPEARS |
| 1988 | Tanja Grunert, Cologne, Germany |
| | | BRITISH SCULPTURE SINCE 1965 |
| 1987 | Museum of Contemporary Art/Peace Museum, Chicago, USA |
| | 1987 | Museum of Modern Art, San Francisco, USA |
| | 1987 | Newport Harbor Art Museum, Newport Harbor, USA |
| | 1987 | Hirshhorn Museum, Washington, DC, USA |
| | 1987 | Albright-Knox Art Gallery, Buffalo, USA |
| | | CONVERSATIONS |
| 1987 | Darlington Arts Centre then touring, |
| | | CURRENT AFFAIRS |
| 1987 | Museum of Modern Art, Oxford |
| | 1987 | Mucsarnok, Budapest, Hungary |
| | 1987 | Narodni Galerie, Prague, Czeckoslovakia |
| | 1987 | Zacheta, Warsaw, Poland |
| | | TERRAE MOTUS |
| 1987 | Grand Palais, Paris, France |
| | | BRITISH ART OF THE 1980'S |
| 1987 | Liljevalchs Konsthall, Stockholm, Sweden |
| | 1987 | Sara Hilden Art Museum, Tampere, Finland |
| | | ART AGAINST AIDS |
| 1987 | Barbara Gladstone Gallery, New York, USA |
| | | JUXTAPOSITIONS |
| 1987 | P.S.1, New York, USA |
| | | MANIERISMUS SUBJEKTIV |
| 1987 | Galerie Krizinger, Vienna, Austria |
| | | EEN KEUZE |
| 1987 | KunstRAI 87, Amsterdam, Netherlands |
| | | DOCUMENTA 8 |
| 1987 | Kassel, Germany |
| | | 20th ANNIVERSARY EXHIBITION |
| 1987 | Lisson Gallery, London |
| | | VESSEL |
| 1987 | Serpentine Gallery, London |
| | | CONTEMPORARY ASSEMBLAGE |
| 1987 | Germans Van Eck, New York, USA |
| | | THE INTERNATIONAL ART SHOW FOR THE END OF WORLD HUNGER |
| 1987 | Minnesota Museum of Art, Saint Paul, Minnesota, then touring Europe and South America to 1990 |
| | | STATE OF THE NATION |
| 1987 | Herbert Art Gallery, Coventry |
| | | DOCUMENTA AUSLESE 87 |
| 1987 | A 11 Art Forum Thomas, Munich, Germany |
| | | ENTRE EL OBJETO Y LA IMAGEN |
| 1986 | Palacio de Velazquez, Madrid, Spain |
| | 1986 | Centre Cultural de la Caixa de Pensions, Barcelona, Spain |
| | 1986 | Bilbao, Spain |
| | | SCULPTURE, 9 ARTISTS FROM BRITAIN |
| 1986 | Louisiana Museum, Humlebaek, Denmark |
| | | SCULTURE DA CAMERA |
| 1986 | Gipsoteca del Castello Svevo, Bari, Italy |
| | | CHOIX D’OEUVRES DE LA COLLECTION |
| 1986 | FRAC Bourgogne, Dijon, France |
| | | MODERN ART? IT'S A JOKE! |
| 1986 | Cleveland Gallery, Middlesbrough |
| | | ENGLISCHE BILDHAUER |
| 1986 | Galerie Harald Behm, Hamburg, Germany |
| | | PAINTING AND SCULPTURE TODAY |
| 1986 | Indianapolis Museum of Art, Indianapolis, USA |
| | | RECENT SCULPTURE |
| 1986 | BlumHelman, New York, USA |
| | | AMERICAN/EUROPEAN PAINTING AND SCULPTURE 1986 |
| 1986 | L.A. Louver, Venice, CA, USA |
| | | THE INTERNATIONAL ART SHOW FOR THE END OF WORLD HUNGER [preview] |
| 1986 | International Monetary Fund Visitors' Centre, Washington, DC, USA |
| | | UNO SGUARDO |
| 1986 | Magasin, Grenoble, France |
| | 1986 | Academia di Belle Arti, Napoli, Italy |
| | | THE TURNER PRIZE |
| 1986 | Tate Gallery, London |
| | | NO PLACE LIKE HOME |
| 1986 | Cornerhouse, Manchester |
| | | DEDOUBLEMENTS |
| 1986 | Theatre de la Presle, Romans, France |
| | | IL CANGIANTE |
| 1986 | Padiglione d'Arte Contemporanea, Milan, Italy |
| | | SPACE INVADERS |
| 1985 | MacKenzie Art Gallery, Regina then touring, Canada |
| | | IMAGES OF WAR |
| 1985 | Chapter, Cardiff |
| | | ONE CITY A PATRON |
| 1985 | Collins Gallery, Glasgow then touring, Scotland |
| | | THE BRITISH SHOW |
| 1985 | Art Gallery of Western Australia, Perth, Australia |
| | 1985 | Art Gallery of New South Wales, Sydney, Australia |
| | 1985 | Queensland Art Gallery, Brisbane, Australia |
| | 1985 | Royal Exhibition Building, Melbourne, Australia |
| | 1985 | National Gallery of Art, Wellington, New Zealand |
| | | 7000 EICHEN |
| 1985 | Kunsthalle, Tübingen, Germany |
| | | SCULPTURES DU FRAC RHÔNE-ALPES |
| 1985 | Musée Sainte Croix, Poitiers then touring, France |
| | | NOUVELLE BIENNALE DE PARIS 85 |
| 1985 | , France |
| | | DRAWING: PAINTING AND SCULPTURE |
| 1985 | Brooke Alexander Inc., New York, USA |
| | | RECENT ACQUISITIONS |
| 1985 | Moderna Museet, Stockholm, Sweden |
| | | SOCIAL STUDIES |
| 1985 | Barbara Gladstone Gallery, New York, USA |
| | | ANNIOTTANTA |
| 1985 | Assessorata alla Cultura del Commune di Ravenna, then touring Bologna, Imola, Romagna, Italy |
| | | ATTITUDES |
| 1985 | Central Gallery, Northampton |
| | | CURRENTS |
| 1985 | I.C.A., Boston, MA, USA |
| | | SCULPTURES |
| 1985 | Fondation Cartier, Paris, France |
| | | THE IRRESISTIBLE OBJECT: STILL LIFE 1600-1985 |
| 1985 | Leeds City Art Galleries, |
| | | 1985 CARNEGIE INTERNATIONAL |
| 1985 | Museum of Art, Pittsburgh, USA |
| | | SALVAGED |
| 1984 | P.S.1, New York, USA |
| | | AN INTERNATIONAL SURVEY OF RECENT PAINTING AND SCULPTURE |
| 1984 | Museum of Modern Art, New York, USA |
| | | SKULPTUR IM 20. JAHRHUNDERT |
| 1984 | Merian Park, Basel, Switzerland |
| | | CONTEMPORARY ACQUISITIONS |
| 1984 | Imperial War Museum, London |
| | | NUIT ET JOUR |
| 1984 | Salle Gatier et Cave des Sources, Boen, France |
| | | TERRAE MOTUS 1 |
| 1984 | Fondazione Amelio, Ercolano, Napoli, Italy |
| | | HOME AND ABROAD |
| 1984 | Serpentine Gallery, London |
| | | THROUGH THE SUMMER |
| 1984 | Lisson Gallery, London |
| | | ROSC '84 |
| 1984 | The Guinness Hop Store, Dublin, Ireland |
| | | BIENNALE VAN DE KRITIEK |
| 1984 | Antwerp, Belgium |
| | | SCULPTURES DANS L'USINE |
| 1984 | Comite d'Etablissement Renault, Sandouville, France |
| | 1984 | Musée des Beaux-Arts Andre Malraux, Le Havre, France |
| | | BRITISH ART SHOW |
| 1984 | City Museum and Art Gallery/Ikon Gallery, Birmingham |
| | 1984 | Royal Scottish Academy, Edinburgh |
| | 1984 | Mappin Art Gallery, Sheffield |
| | 1984 | Southampton Art Gallery, Southampton |
| | | ARMED |
| 1984 | Interim Art, London |
| | | DEUX REGIONS EN FRANCE: L'ART INTERNATIONAL D'AUJOURD'HUI |
| 1984 | Palais des Beaux-Arts, Charleroi, Belgium |
| | | OPERE SU CARTA 1984 |
| 1984 | Centro d'Arte Contemporanea, Siracusa, Italy |
| | | A PIERRE ET MARIE [PHASE 7] |
| 1984 | 36, rue d'Ulm, Paris, France |
| | | TEMA CELESTE |
| 1983 | Museo Civico d'Arte Contemporanea, Gibellina, Italy |
| | | LA TROTTOLA DI SIRIO |
| 1983 | Centro d'Arte Contemporanea, Siracusa, Italy |
| | | A PIERRE ET MARIE [PHASE 1] |
| 1983 | 36, rue d'Ulm, Paris, France |
| | | TRUC ET TROC |
| 1983 | ARC Musée d'Art Moderne, Paris, France |
| | | FIGURES AND OBJECTS |
| 1983 | John Hansard Gallery, Southampton |
| | | LA GRANDE ABSENTE |
| 1983 | Musée d'Ixelles, Brussels, Belgium |
| | | A PIERRE ET MARIE [PHASE 2] |
| 1983 | 36, rue d'Ulm, Paris, France |
| | | NECESSITES |
| 1983 | Château de la Roche Jagu, Bretagne, France |
| | | AUSTRALIAN PERSPECTA |
| 1983 | Art Gallery of New South Wales, Sydney, Australia |
| | | BEELDEN 1983 |
| 1983 | Rotterdam, Netherlands |
| | | FORME E INFORME |
| 1983 | Bologna, Italy |
| | | A PIERRE ET MARIE [PHASE 3] |
| 1983 | 36, rue d'Ulm, Paris, France |
| | | RESEAU ART 83 |
| 1983 | Art Prospect, , France |
| | | THE SCULPTURE SHOW |
| 1983 | Hayward Gallery/Serpentine Gallery, London |
| | | L'ESTATE DEL 1983 FU STRAORDINARIAMENTE LUNGA E FRESCA: SENZA PRECEDENTI |
| 1983 | Marciana, Italy |
| | | ARCAICO CONTEMPORANEO |
| 1983 | Museo del Sannio, Benevento, Italy |
| | | BEST OF... |
| 1983 | Le coin du miroir, Dijon, France |
| | | NEW ART |
| 1983 | Tate Gallery, London |
| | | COSTELLAZIONE |
| 1983 | Galleria Giorgio Persano, Torino, Italy |
| | | TRANSFORMATIONS |
| 1983 | XVIII São Paulo Bienal, , Argentina |
| | 1983 | Museu de Arte Moderna, Rio de Janiero, Brazil |
| | 1983 | Museo de Arte Moderno, Mexico City, Mexico |
| | | TRANSFORMATIONS |
| 1983 | Fundação Calouste Gulbenkian, Lisbon, Portugal |
| | | AS OF NOW |
| 1983 | Walker Art Gallery, Liverpool |
| | 1983 | Douglas Hyde Gallery, Dublin, Ireland |
| | | SKULPTUR HEUTE I |
| 1983 | Galerie Joellenbeck/Galerie Wintersberger, Cologne, Germany |
| | | LA IMAGEN DEL ANIMAL |
| 1983 | Madrid, Spain |
| | | A PIERRE ET MARIE [PHASE 5] |
| 1983 | 36, rue d'Ulm, Paris, France |
| | | BIENNALE OF SYDNEY |
| 1982 | , Australia |
| | | SOUTH BANK SHOW |
| 1982 | South London Art Gallery, London |
| | | NEUE SKULPTUR |
| 1982 | Galerie nächst St. Stephan, Vienna, Austria |
| | | LEÇONS DE CHOSES |
| 1982 | Kunsthalle, Bern, Switzerland |
| | 1982 | Musées d'Art et d'Histoire, Chambéry, France |
| | 1982 | Maison de la Culture, Chalon-sur-Saône, France |
| | | APERTO 82, BIENNALE DI VENEZIA |
| 1982 | Venice, Italy |
| | | XII BIENNALE OF PARIS |
| 1982 | Paris, France |
| | | ENGLISCHE PLASTIK HEUTE |
| 1982 | Kunstmuseum, Lucerne, Switzerland |
| | | PREFIGURATION |
| 1982 | Chambery, France |
| | | LONDON/NEW YORK |
| 1982 | Lisson Gallery, London |
| | | OBJECTS & FIGURES |
| 1982 | Fruitmarket Gallery, Edinburgh |
| | | VOL DE NUIT |
| 1982 | Galerie Eric Fabre, Paris, France |
| | | AN INTERNATIONAL SHOW OF FOURTEEN NEW ARTISTS |
| 1981 | Lisson Gallery, London |
| | | OBJECTS & SCULPTURE |
| 1981 | Arnolfini, Bristol/I.C.A., London, |
| | | THE MOTOR SHOW |
| 1981 | The Front Room, Percy Road, London |
| | | THROUGH THE SUMMER |
| 1981 | Lisson Gallery, London |
| | | BRITISH SCULPTURE IN THE 20TH CENTURY |
| 1981 | Whitechapel Art Gallery, London |
| | | ART AS AN IDEA IN ENGLAND |
| 1972 | C.A.Y.C, Buenos Aires, Argentina |
| | | 3rd BIENNALE OF COLOMBIA |
| 1972 | Bogota, Colombia |
| | | PLATFORM 72 |
| 1972 | Museum of Modern Art, Oxford |
| | | DRAWING |
| 1972 | Museum of Modern Art, Oxford |
| | | ART SYSTEMA |
| 1971 | Museo de Arte Moderno, Buenos Aires, Argentina |