17th BIENAL DE SÃO PAULO cat.
Fundação Bienal de São Paulo São Paulo Brazil 1983
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1979-1982
Franco Toselli Milan Italy 1983
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Artist Section, ARTFORUM vol.XX11 no.1
New York USA September 1983
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Bill Woodrow: Sea-lion, DOMUS 643
Milan Italy October 1983
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ESCULTURA BRITANICA ACTUAL cat.
Museo de Arte Moderno Mexico City Mexico 1983
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L'ESTATE DEL 1983 FU STRAORDINARIAMENTE LUNGA E FRESCA: SENZA PRECEDENTI cat.
Marciana Italy 1983
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LA GRANDE ABSENTE information sheet
Musée d'Ixelles Brussels Belgium 1983
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RESEAU ART 1983 cat.
Art-Prospect Paris France 1983
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TEMA CELESTE cat.
Museo Civico d’Arte Contemporanea Gibellina Italy 1983
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AUSTRALIAN PERSPECTA 1983 cat.
Art of New South Wales Sydney Australia 1983
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LA IMAGEN DEL ANIMAL cat.
Ministerio del Cultura 1983
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NECESSITES cat.
La Roche Jagu Bretagne France 1983
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Specchi ustori, TEMA CELESTE
Siracusa Italy November 1983
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THE SCULPTURE SHOW cat.
Arts Council of Great Britain London 1983
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THE TATE GALLERY ILLUSTRATED BIENNIAL REPORT 1980-82
Tate Gallery London 1983
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Alain Cueff. Bill Woodrow, ARTISTES no.16
Paris France June 1983
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Alain Cueff. A Pierre et Marie - Truc et Troc, ARTISTES no.15
Paris France February 1983
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Brian Hatton. Junk culture: the uses of affluence, ZG
London June 1983
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Claude Gintz. La sculpture et ses objets, ART PRESS 66
Paris France January 1983
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Claude Gintz. A Pierre et Marie, COVER
Artcover New York/Le Vesnet USA/France 1983
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David Elliott. BEAVER, BOMB AND FOSSIL cat.
Museum of Modern Art Oxford 1983
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Demetrio Paparoni. LA TROTTOLA DI SIRIO cat.
British Council/Centro dArte Contemporanea Siracusa Italy 1983
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Demetrio Paparoni. Le radici della Forma, TEMA CELESTE no.15
Siracusa Italy November 1983
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Elisabeth Vedrenne. Expositions: L’Objet métamorphosé, DÉCORATION INTERNATIONALE 58
Paris France February 1983
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Ellen Handy. ARTS MAGAZINE vol 58 no 3
New York USA November 1983
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Enrico Comi. ARCAICO CONTEMPOREO cat.
British Council/Museo del Sannio Benevento Italy 1983
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Enrico Verdecchia. Arte: il disastro prossimo venturo, PANORAMA 916
Arnoldo Mondadori Editore Milan Italy November 1983
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Giacinto Di Pietrantonio. Milano, JULIET 12
Trieste Italy June/October 1983
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Jean-Hubert Martin/Catherine Ferbos. TRUC ET TROC
ARC Musée d’Art Moderne Paris France 1983
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John Roberts. The Sculpture Show, ART MONTHLY no.70
London October 1983
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John Roberts. Urban renewal, new British sculpture, PARACHUTE no.30
Montreal Canada March-May 1983
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Jonathan Miles. Waste and imagination, ZG
London June 1983
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Kate Linker. Reviews - Bill Woodrow at Barbara Gladstone Gallery, ARTFORUM vol.XX11 no.4
New York USA December 1983
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Klaus Honnef. New Yorker Fussnoten, KUNSTFORUM INTERNATIONAL no.67
Cologne Germany November 1983
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Leo Van Damme. Bill Woodrow: triviaal en toegankelijk, dus effektief, KUNST NU
Museum van Hedendaagse Kunst Gent Belgium February 1983
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Lewis Biggs. The desiring machine, TRANSFORMATIONS cat.
British Council for the Bienal de São Paulo 1983 London 1983
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Lynne Cooke. Bill Woodrow at Barbara Gladstone, ART IN AMERICA 10
New York USA November 1983
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Lynne Cooke. Reconsidering the ’new sculpture’, ARTSCRIBE no.42
London August 1983
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Marco Livingstone. Reviews: Bill Woodrow at the Lisson Gallery, ARTSCRIBE no.41
London June 1983
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Marina Vaizey. Taking art off the streets, THE SUNDAY TIMES MAGAZINE
London August 14 1983
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Michael Compton. NEW ART cat.
Tate Gallery London 1983
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Michael Newman. FIGURES AND OBJECTS
John Hansard Gallery Southampton 1983
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Patrice Bloch & Laurent Pesenti. Nouvelle Sculpture: la culture de l’objet, BEAUX ARTS no.3
Levallois-Perret France June 1983
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Paul Hefting. BEELDEN 1983
Rotterdamse Kunststichting Rotterdam Netherlands 1983
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Peter Hill. Objects and figures at the Fruitmarket, ARTSCRIBE no.39
London February 1983
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Roberto Vidali. Due lavatrici per uncigno, IL PICCOLO
Trieste Italy March 30 1983
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Roberto Vidali. Artists around Big Ben, JULIET 10
Trieste Italy February/March 1983
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Rolino Gaspari. Une nouvelle sculpture anglaise, Axe Sud 7
Toulouse France Winter 1983
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Waldemar Januszczak. A nasty shock for the still-life, THE GUARDIAN
London 10 June 1983
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William Feaver. Salvage into sculpture, THE OBSERVER
London 24 April 1983
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Wilson Coutinho. A nova escultura inglesa, a grande atração da Bienal, JORNAL DO BRASIL
October 21 1983
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